Thursday, July 5, 2012

Cinderella Upgrades from Fur to Glass


Cinderella's glass slippers continue to motivate today as evidenced by the pair of fantasy shoes unveiled by Christian Louboutin in celebration of Disney's DVd and Blu-ray release.  And yes, The sparkly-heeled, butterfly adorned stilettos boast Louboutin's trademark red soles. 

Although Cinderella’s famous glass slippers (made of vair or squirrel fur in the early French version) have morphed through improper translation into the more familiar glass (verre) slippers, they remain emblematic of transformation in a classic story that illuminates the interplay between spirit and matter.  

Monday, July 2, 2012

See and Be Seen in Vintage Eyewear


See and Be Seen in Vintage Eyewear

Monocles, horn-rimmed spectacles, and opera glasses have long been appreciated by  antiquities dealers, but merchants at flea markets and vintage shops are now selling iconic eyewear styles from the 1940s to the 1970s in Lucite, bakelite, woodgrain, etched aluminum, painted metal etc. From Riviera style to librarian temples, new old stock frames are trading briskly on the internet and quirky, used glasses in octagonal and butterfly designs as well as oversized sunglasses, disappear daily from thrift store shelves. In fact, not since John Lennon first sported Granny Glasses have outdated lenses been so collectible. With optical outlets recreating fashion classics like the rhinestone studded cats-eye frames of the 1950s, and fashionistas embracing that 70s look with big, round sunglasses, savvy collectors are taking pains to source out authentic originals.

Eyewear collectibles can be found at flea markets and antiques malls or any venue that specializes in small personal items. Use them to enhance a vintage costume collection, or wear them by having the frames refitted with custom lenses.

Fun and Funky Retro Sunglasses turn up frequently at thrift stores and flea markets for between five and fifteen dollars. Display them on a mirrored tray of the same vintage, or use them to add authenticity to a collection of outdated swimwear. Children’s sunglasses of the 50s and beyond mirror period adult styles, but were also manufactured in a wide range of novelty motifs. These provide personality when fitted on teddy bears or large dolls. Kids love them for dress-up, or slip these inexpensive items (two to five dollars) into goodie bags for a birthday party take-home treat. But beware; early examples do not offer UV protection. 

Price and Value: The highest values are placed on iconic period pieces with jeweled or precious metal frames and those which bear designer labels (Pucci, for example), or can be proven to possess a celebrity association. Early items, such as turn-of-the-twentieth-century wire rim spectacles, are abundant and can often be purchased for as little as ten dollars, but even plastic, oversized sunglasses from the 1970s can set you back a few hundred dollars if purchased from a dealer specializing in fashion frames. Expect a mid-range price of $40 - $70 for men’s and women’s browline styles from the 1950s.

Eyeglass Retrospective by Nancy Schiffer is a good resource for evaluating classic eyewear, but period magazines ads also prove helpful when dating these items. If your glasses are found in their original case consider yourself lucky; these will give clues to the age and origin of your purchase, but unfortunately many flea markets and thrift stores separate the cases from their contents.     

Brief History of Glasses

While the use of glass magnifying lenses for reading can be traced to thirteenth-century Italy, modern eyeglasses, i.e. lenses encased in frames that can be worn on the face, have undergone many style changes since the appearance of the pince-nez or nose glasses of the eighteenth century, when lenses connected over the nose by a bridge of light-weight tortoiseshell were popular with the upper classes. Magnifying lenses mounted in watch fobs, walking sticks, and fans were also fashionable for a time, and are a rare but exciting find for today’s collector.  

Early spectacles were unframed and simply held by hand in front of the face, attached to hats, or tied around the head with bands made of leather, ribbon, or cord. In China, weights were added to strings, which looped over the ears holding lenses in place. Style changes, particularly in the twentieth century reflect scientific advances in the manufacture of lenses as well as frames, and are closely tied to fashion and cultural influences.

What to Look for:

  • 1870 – 1920: Windsor style spectacles framed in gold, nickel, steel, or silver.  

  • 1900-1920: Wire-rimmed lenses.

  • 1920s: Large lenses, tortoiseshell frames.

  • 1930s: Horn-rim or early plastic frames, round lenses. 

  • 1940s & 50s: Cats-eye or harlequin glasses with etched, jeweled or decorated frames.   
  
  • 1950 – 1970: Rare, special order aluminum frames, often hand-engraved.

  • 1960s: Round lenses, lightweight plastic frames, arched temples. 

  • 1970s: Dropped temples, tinted lenses.

A Brief Glossary of Styles and Terms: 

Brow-line Frames: These were made for men and women in the 1950s and 1960s, and are comprised of a plastic casing over a metal frame.   

Glassless Glasses: Glassless frames; a short-lived Hippy fad of the 1960s.

Granny Glasses AKA Ben Franklin Glasses: Wire-framed round or square glasses, fitted with colored lenses; a look popularized c.1965 by Roger McGuinn of the Byrds and John Lennon.

Horn-rim: An early plastic designed to mimic natural elements like baleen. (These become brittle over time and should not be exposed to sunlight).

Jealousy Glasses: Miniature, side-looking mirrored telescopes for observing people in secret. Some early 19-century French versions were fitted with pill receptacles and scent bottles.

Lorgnette AKA Quizzing Glasses: A hand-held, single lens device with a long stem or wand.

Monocle: A single lens held in place by the muscles of the eye socket. These were usually custom made for the owner. Introduced in the 18th century, these were popular with British aristocracy.   

Opera Glasses: Opera glasses in sizes small to large, were first introduced c. 1800. Look for two styles; rigid construction, and a folding bridge style. Many are decorative, if not heavily gilded, having been designed for Victorian and Edwardian theatre goers and sold in jewelry stores or engraved and given as gifts. Those in their original case or inlaid with mother-of-pearl will fetch higher prices.

Prospect Glasses: Miniature telescopes; popular with the upper classes in the 18th-century as an alternative to wearing spectacles.  

Scissor Glasses: Ornate folding glasses popular with the 18th century French court.

Wig Glasses: These 18th-century glasses with temple wires were held in place by the powdered wigs worn by aristocrats.

Windsor Eyeglasses: Metal-rimmed round lenses with temple arms that loop behind the ears. Think Harry Potter.

While iconic eyewear from the mid-twentieth century is still widely available at modest prices, its popularity is increasing due to its intimate association with pop-cultural influences. When getting into the market, consider wing-shaped frames that mimic the jet-age inspired tailfins of the 1950s automobiles, or tuck-away folding lorgnettes that were carried in small handbags by the cocktail-party generation. Whatever your selection, this is one area of collecting that deserves a second look.   


Tuesday, June 5, 2012

Art for Your Head at The Gallery Upstairs in Milton

Hats turn heads, especially when they're made by Maria Curcic.

I am extremely pleased to announce that the Gallery Upstairs in Milton is now carrying a number of this Paris-born and trained, millinery designer's spring and summer line of colourful fascinators. Look for them in the glass case upstairs. In fact, get there before I do or there may not be too many left to choose from.

For added fun, check out the labels. Maria identifies her pieces with names like Look at Me, Sassy Pants & Spring roses.


Monday, June 4, 2012

Making Wide-brim Straws from 1960's Wooden Hat Blocks

It's Sinamay all the way for me when creating hats for summer weddings and garden party galas. What a great medium to work with, particularly when shaping high crowned beauties on vintage wooden hat blocks.

The finished project is so light and airy as to be almost weightless when worn.

I'm using a number of vintage1960's blocks previously owned by the great Toronto designer Philip Warde, to make the summer straws which are now on sale at the Gallery Upstairs in Milton.    

Thursday, April 19, 2012

Jeanne Beker Bounces into Burlington

Jeanne Beker moderates a fashion show at
the Gerry Weber store in Burlington 
There were two fashion shows last night inside the new Gerry Weber store at 442 Brant St.; the first, a professional show of Gerry Weber separates executed on a portable runway arranged for the grand opening; the second, a display of fashion put on by the guests themselves who circulated through the maze-like clothing racks, listening to live music, checking out the designs, and sipping champagne.

Jeanne Beker moderated the event with all of the skill and charm we've come to expect from this Canadian fashion icon, taking time to pose for photographs and sign copies of her second book, Finding Myself in Fashion.

The only thing missing from this fashion event was hats!

Tuesday, April 17, 2012

Where to Find a Couture Concert Gown in Toronto

Norma Shephard at a millinery
event, Kingston On
I took a break from Frantic Fashion yesterday to visit Toronto's cool and and calm oasis of style that is Rosemarie Umetsu's atelier.

I can't show you yet which fabulous couture gown we were there to have fitted for a local soprano, but let's just say it is the frock equivalent of my Black Widow tulle chapeau from Lilliput.

The very chic and personable Umetsu specializes in performance gowns, and the professional singers who have found their way to her 'appointments only' salon are more than happy with what they find there.

As we entered the Davenport Rd. atelier, we were greeted warmly by Umetsu herself. The shop itself was just as welcoming.

Perhaps it's the writer in me, but I was struck most by the dramatic wooden floor, painted in cream coloured cursive script on a black background. And the dresses...well, see for yourself.

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Thursday, April 12, 2012

Tilted Treasures: Maria Curcic's Spring Line




Let me show you some millinery from Maria Curcic's spring line. She is certainly doing her utmost to bring back old-time millinery charm. Secured to either a chignon strap or a supporting headband, these tilted treasures reference the cheerful little doll hats of the early 1940's.

As always, I find the labels as enticing as the hats themselves. I often select a Maria Curcic hat to wear for my Mobile Millinery Museum appearances. Can you guess which one OK, which ones I have my eye on now?

Curcic's hats are all one of a kind and reasonably priced, so if you want to snatch one up before they are gone, you'd better hurry.





Hmmm...will it be Look at me, Showtime, Spring Roses, Show Thief, In a Knot, Green with Envy, or Blue Fusion?  Oops, I forgot Sassy Pants, How is a girl to decide? I'll let you know after I make my purchase. (Images courtesy of Maria Curcic)

     


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Tuesday, April 10, 2012

How to Get that Titanic-era Silhouette

Here's what our fore-mothers wore under those gorgeous Edwardian gowns. This period corset in lace trimmed satin, creates a straight silhouette from nipple-line to knees.

The generous waist gave women a needed break from the cinched in corsets of the Victorian period (see image at right), but they weren't completely free from restrictions, as many of these corsets underpinned hobble skirts that were popular for a time.


I am packing up today for the first of our Unsinkable Fashion exhibits where we'll show some beautiful Titanic era gowns and have some fun talking about the underpinnings.  

I'll be sure and take my camera.


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Friday, April 6, 2012

Start a Vintage Glove Collection

Jean Paul Gaultier  

I began collecting vintage gloves over ten years ago and had amassed approximately 300 pair even before I established the Mobile Millinery Museum & Costume Archive.

Gloves and hats go hand in hand (forgive the pun), but are an interesting collectible unto themselves, particularly when paired with glove boxes. I teamed a few pair with hats in my collector's guide, 1,000 Hats, but withheld the rest for a future book on gloves alone.  

Gloves fell out of fashion two generations ago, marking them as a novelty artefact with many vintage costume collectors who are only beginning to appreciate this personal item of apparel for its variety of workmanship and design.

From early fashion gloves of delicate net, lace, silk, satin, & taffeta, to 20th century doe-skin, mink, and rayon examples, there is something for everyone, including couture examples from the likes of Elsa Schiaparelli and Jeanne Lanvin.

Gloves can be an easy and inexpensive entrĂ©e into the world of antique costume collecting. Not only does their small size make for easy storage and display, but iconic examples, emblematic of a particular historic period, can stand in for an entire costume, which would be more difficult to obtain, conserve, or exhibit.


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Glove Story


Jean Paul Gaultier

When I was approached by Early American Life magazine to write an article on the history of gloves, I didn't know how I would fill my word quota, but I plunged into the assignment full of enthusiasm for a subject that had fascinated me ever since I began collecting vintage gloves for the Mobile Millinery Museum &Costume Archive (we have several hundred pair of 19th & 20th century gloves (doeskin, silk, rayon, leather, fur, satin & velvet) in an array of colours that Crayola® would envy.   

Did you know …  

·        Etiquette dating from the early 1600's dictated that wedding gloves should be sent out to friends and family with the announcement of nuptials.
·        Mourning gloves stood in for funeral invitations. 
·        Archaeologists exploring the tomb of King Tut, found linen gloves amongst the artefacts buried with him.
·        Feudal landlords bestowed working gloves on their tenants at harvest time.
·        Catherine de Medici introduced gloves to the French court when her personal perfumer devised a manner of infusing leather with fragrance. (tanners had previously relied upon urine or foul-smelling brains).  

I pulled an Edwardian tuxedo out of the archives yesterday, in preparation for a series of Titanic-era costume exhibits that will begin this week. In the breast pocket was a pair of gentleman’s gloves in doe-skin leather with contrast stitching. I guess no-one had thought to check the pockets when the piece was accessioned.

I was thrilled to find them.  



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The British Mod Coat-Dress That Snagged Me A Husband


Doing it up "Proper" in 1973

1968: I remember hippies passing through town in “Make Love, Not War” t-shirts, peace sign-wearing draft dodgers strumming guitar in our living room, and the chaos and exhilaration of a Mandala concert at our local “Y”. And I remember a phone call from a boy I’d never met, asking me if I was the girl in the coat that “looks like a barber shop pole.” I defended my red, white, and blue fashion statement with its bold centre-front zipper, but I gave the caller a chance. 

We talked for four hours and twenty minutes on the phone, and two weeks later when I agreed to meet this stranger who had stalked me at school, there was a great deal of speculation concerning what he looked like. On the appointed day, my little sister beat me to the front door, flung it wide open, and announced, “OOOH, He’s got freckles!”

The rude greeting didn’t deter him; in fact; that British Mod coat-dress, which my mother made to resemble one in Seventeen Magazine, snagged me a husband. We got 'hitched' at a Sadie Hawkins dance at school and hung on to the $5 marriage certificate and phony wedding band Jim bought, until we did it up proper five years later.

Today, we’re the proud parents of three grown children and although we’ve been through a lot together, inside I’m still the girl who was happy to get married at the Sadie Hawkins dance, in braids and a scratchy old potato sack.  


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Thursday, April 5, 2012

Titanic Inspired Hats

From Maria Curcic's (Le Chapeau Rouge) Titanic-inspired collection, which she has named Iceberg Ahead. An elastic chignon secures this Vintage straw with silk cabbage roses. I purchased it for the series of Titanic era costume exhibits I am touring with this month, for the Mobile Millinery Museum.

What a charmer. I cannot say enough good things about the workmanship that goes into Maria Curcic's hats. Last year at one of the Royal Wedding Teas, as I was unpacking my exhibit in 90K winds, my hat took off in a gust, headed for the Ottawa River.

I took off in pursuit (and in heels), was struck in the neck by a tree branch (that's a story for another day), and recovered the hat, flattened and crushed against a Frost fence (the hat, not me).

I planned to send it back to Maria for repair, but as soon as I took it indoors, it popped back into it's original form.



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Saturday, March 24, 2012

Channeling Johnny Depp

Johnny Depp's Mad Hatter Replica 
Here's one of my favourites from our Retrospective Millinery Fashion Shows. What a thrill it was to receive this as a birthday gift two years ago. Cudos to my daughter, Ardra, for tracking it down.

I will let this replica of the hat Johnny Depp wore for his Mad Hatter role in Alice in Wonderland speak for itself.













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A Solidly Seventies Passion for Fashion Dolls


Those 70's Shoes 
Among costume collectors, fashion-loving fans of the 1970’s are turning to dolls in order to satisfy their passion for the iconic clothing styles of that era. They are passing on Mattel’s reproduction 1960s Barbies®, in favor of the later, bohemian-looking plastic dolls and their clothes, created by Ideal™, Mego™, Reliable™, and the like.
Carmen Varricchio, former fashion illustrator for Calvin Klein and author of Collectible Doll Fashions of the 1970’s, believes that a new generation of doll addicts “have elevated 70’s dolls and fashion outfits to a new status.” 
I agree. As curator of a millinery and costume museum, I have access to a number of sensational 1970’s ensembles, but they are not often displayed. With a doll, I can enjoy the complete look in miniature.
For those of us who have lived through the 70s, the dolls are immediately identifiable by their size and Cher-like stance. Most sport long hair and colorful, well-made outfits that costume collectors are elbowing each other to get their hands on. Accessories like a floppy hat are a bonus, but shoes—so iconic of the era—are a must.
I write doll care articles for magazines, so I’m always on the lookout for some new vintage treasure. I came across a sweetheart of a 70’s fashion doll at the Freelton Flea Market recently: Ideal’s 1972 poseable Harmony. Her pink-and-white gingham maxi dress with button-trimmed empire bodice, lace-edged bridal collar, and ruffled sleeves complete with contrast velvet ribbon, is a stand-alone piece, truly representative of the hippie era, but her chunky sling-back sandals are what prompted me to take her home. 



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Tuesday, March 20, 2012

In The Pink


This this fabulous flapper wedding gown of lace-trimmed pink chiffon will have to wait for the second edition of my bridal book, as it was donated only two days ago. Florence Hollingshead was the beautiful bride who chose this for her special day.

The dress falls to just below the knee and snap-fastens under the left arm. A matching modesty slip is attached inside, but no label. The bow detail is très chic, n'est pas? The cloche hat, shower bouquet, and Charleston shoes, complete the iconic look.

Leave a comment and let us know what's in your attic.


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Monday, March 19, 2012

Unsinkable Fashion: Costume From the Titanic Era




Satin & Lace Edwardian Dinner Gown 
Following on the success of last year’s Royal Wedding teas, the Mobile Millinery Museum is rolling out a rack of authentic period costume for a traveling exhibit this year entitled, Unsinkable Fashion; Costume from the Titanic Era to commemorate the 100th anniversary of the sinking of the Titanic. It is hard to imagine the full beauty of these gowns by looking at vintage photographs, but it is a good place to start.
  
Throughout the early 20th century, many Ontario socialites relied upon European couturiers for their gowns and special occasion ensembles. One such bride, expecting to return on the Titanic with her newly commissioned wedding gown, was disappointed to learn that the piece could not be finished in time for the voyage. 

The embroidered net dress, which is as ethereal as the mist that enveloped the doomed ocean-liner itself, forms the cornerstone of the exhibit which will be making stops at Titanic-inspired commemorative events and fundraisers throughout Ontario. The collection is rarely exhibited due to its fragile nature, some of the dresses being comprised of weighted silks or hand-stenciled velvet, which risk deterioration though handling and exposure to light. The one-hour presentation of authentic Titanic-era fashions is ideally suited to fundraisers, teas, and seniors events. For more information, contact Norma Shephard.



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