Be they
embroidered, sequined, woven, or fashioned from their magnificent plumage
itself, birds have long played an important and sometimes controversial role in
centuries of fashion design and execution.
From the
Victorian days of plunder-taxidermy manuals instructed readers to 'start with birds' to 20th century protectionism, birds have
found their way into fashion in one form or another; while Australian Huia beak
brooches, hummingbird dinner dress adornments, and ostrich feather fans
captivated the hearts of 19th century fashionistas, 20th
century buyers, respectful of avian environmental concerns, were charmed by
printed and woven textiles representing all species of man’s feathered
favourites.
So widespread was the slaughter of exotic birds for fashion that feathers were actually classified as textiles. The Mobile Millinery Museum houses a large collection of quills, aigrettes, spines, plumes, fluffs, fuzzes,
downs, & spikes, many of them the plumage endangered or now extinct species such as bird-of-paradise.
Maria Curcic in one of her own designs |
Ornithological themes can be found in many woven, embroidered, and printed
textiles of the twentieth century, making for interesting costume collections. A favourite from my own collection is a blue-bird themed satin damask gown created for a production of the opera L’Oiseau Bleu that I found at The Little Shop in Montreal.
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